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While they walk around in human bodies, that is not the nature of their souls. Some Otherkin believe in a genealogical difference that separates them from ordinary people while the vast majority take a reincarnational stance that hinges upon the different lives — and bodies — they have held in the past.

Otherkin are not to be confused with extraterrestrials. Within this ufological worldview, many people accept that these aliens have either helped to genetically engineer humanity or have interbred with humans outright.

These beliefs are typically explained within a scientific, or a pseudo-scientific paradigm. Otherkin, on the other hand, approach the explanation of their nature from a distinctly magickal perspective.

Rather than identifying with aliens and extraterrestrials, Otherkin identify themselves with creatures of magick and myth. As inherently magickal beings, the vast majority of Otherkin are also Pagan, as this religion, with its acceptance of magick, best accommodates their worldview.

To even call the Otherkin a community sometimes seems a bit of a stretch, because frequently those who identify themselves as Otherkin have very little in common with one another beyond their inherent otherness.

Frequently, there are many sub-groups within a general type, such as the elves, which include Listari and Elenari, to name but a few.

Some Otherkin remember entire histories of their previous races. Others just feel their difference like a nagging itch on their soul.

For those trying to understand why someone who obviously has two legs, two arms, and no wings or tail would describe themselves as a dragon, try approaching the concept in terms of an archetype or totem animal.

Many Pagans have a particular god or goddess that they relate to strongly, and part of that relation usually includes having traits in common with those traditionally attributed to the deity.

Totems, likewise, serve to express aspects those who follow them embody also in themselves. For the Otherkin, the archetype is just more immediate and personal and serves as an integral expression of their soul.

Despite how it may at first sound, an Otherkin dragon does not believe that they are a real, literal dragon in this body now.

However, like a transgendered person, they feel somewhat cheated by their current form. There is an overwhelming sense that at one time he or she did indeed possess this longed-for form, and that body-memory is so real that it makes them uncomfortable in their current form.

Even the Otherkin admit that their beliefs are far-fetched. Most Otherkin also submit their beliefs and experiences to a rigorous amount of personal skepticism.

They are very aware that there is a fine line between a belief in the fantastic and succumbing to fantasy. Like all groups, they have their share of clearly delusional people, wannabees, and hangers-on, but over the years I have met a number of very articulate, intelligent, and credible people who also just happen to be Otherkin.

These have included a youth counselor who was also an elf, an angel who worked on the New York police force, and a dragon who worked as a system administrator.

The angel, appropriately enough, worked valiantly throughout September 11 and its aftermath. Being Otherkin is not easy.

Nor is it really a choice. It is simply a state of being. Being Otherkin means never quite feeling comfortable in your own skin and never quite feeling like you belong in the reality around you.

Imagine being born into a foreign world yet remembering all the rules of behavior that you had learned in your previous existence.

Furthermore, imagine knowing at the core of your very soul that you were once something very different from what you are now, but being unable to really prove this to others — or even to yourself.

That is the essence of Otherkin. The legitimate Otherkin that I have met did not have an easy childhood or young adulthood.

What they were was always there, but they did not always have an adequate explanation for it or even a word they could put to it. Many strove to repress their sense of something different about themselves and their reality, and quite a few reluctantly accepted their natures only after all other possibilities had been exhausted.

Even once acceptance has been achieved, their lives are not easy, especially because an awareness of magick and energy is a fundamental part of their being.

While many Pagans deal with magickal beings in their workings, this is typically in a spiritual context alone. I know a lot of Pagans who leave offerings in the garden for the faerie-spirits, but how many can accept that a faerie might be born in a human body and is in fact riding the subway in the seat next to them?

I accepted their beliefs as they were presented to me, and I accepted that these beliefs were sincerely held by the people who explained them.

I was able to rationalize the whole schema to myself in terms of archetypes and totems, and this is how I approached the whole subculture.

But even though I reluctantly accepted that these people believed these things, I would never have admitted to another Pagan that I was traveling six hours to attend a weekend of lectures and seminars where most if not all of the speakers believed themselves to be elves, dragons, or fey.

Then I attended the event. What I felt and saw there, more than anything else, made a believer out of me. Once you have seen them, and have known what you are looking at, there is no arguing that Otherkin wear their otherness outside as well as within.

Aside from the ineffable sense of otherness that always clings to them — and I can attest that this goes down to the level of their very energy — most Otherkin have distinctive physical quirks that present the most eloquent argument for their not-quite-human nature.

The elves might not look like Legolas, but in general they are all tall individuals, with thin, long limbs. Some even have subtle yet noticeable points to their ears.

Cat-kin exude feline sensuality and grace, and faeries are small, fine-boned people, with delicate features that can only be described as fey.

After a short time among the Otherkin at the convention, I could pretty much identify the main types by sight, because their characteristics are that marked, even across the boundaries of gender, ethnicity and race.

At this point, I personally have to acknowledge that there are things about them that I cannot explain, and there are certainly things I have both seen and experienced which I cannot rationalize away.

However, if you just take a few moments to look around this world, you know that cities and cultures and even races of beings are not.

In time, all physical things fade and die. Even this world, as long-lived as it may be when viewed from our scope of things, is finite and it will ultimately become a burnt-out cinder, consumed by the sun.

So where do all the souls go when there are no bodies to incarnate within? What will become of those spirits born into humanity when humanity is a distant dream?

Given that the soul is immortal, that time is infinite, and worlds are not, it only follows that each of us has been many different things.

In a sense, perhaps we are all Otherkin, as we have undoubtedly lived as something else before, however remote this might be in our memory. The only thing that distinguishes them from us is the immediacy of the recollection.

The foreign past still clings palpably to them, and they recall a form not quite as prosaic as the mortal flesh we all now wear.

And what a wonder if they walk among us now, remembering an existence many people cannot even conceive. I stood in the central community building of my university, a tall airy structure of glass and concrete, open all the way to its ceiling several stories up.

Classes had let out, and swarms of students poured in from connecting hallways and outer doors, passing through, stopping for conversation, yelling across the floor.

A cacophony of noise and movement and people. Something in my brain shut off, or turned on; but either way the chaos around me drowned out all conscious thought and words.

My skin prickled with the realization of feathers beneath it, the roof of my mouth seemed to hollow and harden into a beak, tongue turned stubby and inflexible, lips motionless.

I found myself hunching, wide-eyed, arm-wings held just apart from my sides, fingers splaying spasmodically.

A panic flooded my head. Despite the wideness and height of the building, I felt claustrophobic. I grasped blindly for conscious thought, words, humanity, but my pulse raced and my beak gaped.

There were people here too, and cars, but nothing for the noise to echo off of, and far more space. I drew in deep breaths of air, my heart rate slowing, my mind stilling.

I focused on fingers, hands, words, the boundaries of my skin. So I suppose the first step to balance, for me, was accepting that yes, I am avian in some way; and yes, it impacts my life.

I found some effective short-term tricks for controlling my shifting. I imagine pulling my feathers in, pushing bird-mind down beneath the surface.

But this is a temporary solution, resorting to hard control and suppression. Fortunately, there are longer-term solutions. I mentioned acceptance. Then: striving for balance.

For me, that means finding safe times and places to immerse myself in bird-thoughts, bird-awareness, feathers and beak.

Finding ways to express my birdness also helps. Scavenging, in my own way; whereas hawk might go for roadkill meat, I scavenge the other leavings of deceased animals: bones, game-bird feathers, and the like.

Perching in high places where I can get a good view of the ground below. Drinking in the wind. When I express my birdness regularly, in places and times of my choosing, I manage to find a better balance between human fingers and avian pinions.

It took a while to get there. There were three years between the birdpanic experience detailed above and the following journal post, in This is what balance feels like, for me:.

I have been comfortably, constantly aware of my birdness these past few months. I have felt more fully bird than I ever have, and it is day to day and ever-present.

My feet are bird feet, long and clenching-opening-curling; my mouth is also a beak, hollow palate, nibbling-tasting-testing everything pens, necklaces, the edge of my shirt collar or sleeves ; I am aware of movement and my own movements and the strangeness of my eyes.

I could understand this feeling… and so I wrote on glamour. First, an emphatic disclaimer: I am not fae-kin. I have not studied the lore and legends of glamour.

Nor have I extensively and methodically experimented with it. I write as one who observes and is good at observing; I write as a dabbler and casual experimenter.

My observations and experiences are UPG — unverified personal gnosis — sometimes but not always corroborated by the experiences and perceptions of others.

Your mileage may vary. With that in mind, I ask any fae-kin, more experienced occultists, and people more familiar with the lore to give your two cents, point out inaccuracies and flawed reasoning, and add your own experiences.

Let me first attempt to define glamour. It is a sort of charm. This is more of a reference to how they feel to me, a description of manifestation, rather than a moral judgment.

Bright glamour is flashing charm, a flame of charisma drawing people near like moths. The bright fae is shiny, glowing, the center of attention, impossible to ignore.

Sie is a prism and a fire, entrancing, hypnotic, dancing. This is the fae-magic so typically described in old songs, the stuff that leads mortals into faerie holds, never to return.

Of course, here in the hard physical world, it tends more to lead people into infatuation and obsession, leaving broken hearts when the fae-kin forgets the temporary romantic catch for a new shiny plaything.

It is more a magnetism than a bright charisma. It draws people in as well, but with the allure of the forbidden or mysterious rather than shining charm.

It draws the sort of people addicted to fixing, or pain, or those who secretly desire to play on the edge of things and sense that edge in the wielder of shadow-glamour.

The bright glamour draws people in by displaying an excess of color and light that others yearn to share, to become a perhaps a little more bright themselves by contact with such fire.

Yet they both manipulate, use, and take. Fae are, I think, integrally vampiric in nature. Whether one should succumb to such envy is debatable… but this is not quite a piece on morality.

How to learn it or at the very least mimic it? First: confidence. Or at least the seeming of confidence. I doubt that glamour can be even mimicked without this basis of self-assurance.

Getting yourself to show that confidence however fake it might be can take some work. Second: physicality.

The way one moves, walks, and holds oneself can completely change how people react to hir. I used to cultivate this sort of physicality in an attempt to not be seen during middle school and high school; I was a shy sort of kid.

Find some person, actor, or character whose magnetism and charisma you admire and study their body language, how they move and walk.

They are often truly naive and childlike, and that is what draws the eye. Go to a park some time and see just how many people are fascinated by watching a young child play with a completely mundane object or activity.

That newness, because zie has never seen a butterfly before, or a soap bubble. It fascinates because it contrasts. That is one of the aspects that makes infants so terribly alluring, is watching them discover everything for the first time, and sometimes recalling what that was like for you all those years ago.

To be completely caught up in what you are doing, not worrying about your job or taxes or relationship problems, but just completely taken by the sheer pleasure of the music and dancing…that air of joy is the flame to which moths are drawn.

To us, the carnal pleasures are the greatest indulgence, so we are creatures of sensuality. The experience of eating a really good meal, or listening to a heart-rending aria from an opera can be like sex, so we allow ourselves to be taken by the experience of the senses.

And that joy, that willful abandonment, is what creates that sparkle. This starts to edge into the less mundane ways of imitating, approximating, or perhaps even using glamour.

Taking on the traits of someone or something else starts to blur into the metaphysical, depending on your views and how you approach that sort of shift.

If you are therian, an animal person, you already have a leg up on learning to use or rather mimic glamour. I have noticed that animal people have the allure of things untamed.

People have a strange desire to touch, own, and tame the wild and the exotic. We visit zoos and long to touch the tiger, to pet the bear, to jess the falcon.

This same desire manifests with therians. I see my therian friends attract possessive clingy suitors and this happens to me as well and be miserable when in relationships with such people.

But that is tangential. Secondly, Empathic projection can imitate glamour, in a way. I can only explain how I personally project, though; others might be able to better explain this.

I find a way to make myself feel the emotion I wish to project, either by simply willing it or finding a stimulus that provokes that emotion in myself the second works better, for me.

I push energy and intent into it, let it build, and then push it outward — either just as a sort of aura about me, or at a particular individual.

Third, similar to the second: Weaving an aura or an illusion about you. I sit, center myself, ground, and then build energy in my center, instilling it with the impressions I want the interviewer to get of me.

Then I build that into a shield, almost like a projection but woven about my body like a second skin. This is perhaps as close to true glamour as I get, the illusion sort of glamour.

The only other way to imitate glamour that I can think of is through an energetic sort of magnetism. Making oneself a magnet that draws others to oneself.

Illusion mixed with reality, something that simultaneously confuses and intrigues. That creates mystery, which intrigues and draws others to look closer.

Glamoury is not a lie. It is a coloring of truth, a turning of the facets of reality so that they scintillate.

Or, go hidden. Glamoury is a trick; it requires a gimmick, a focus in order to work. One must act in such a way that will fascinate if one would fascinate.

One must act in such a way as to be subtle, if one would be subtle. To attract, draw attention. To be ignored, deflect or distract attention. Please note that the ethics of all this are very debatable and should be thought on before one acts on such things.

Also, this is a lot of projection, illusion, and masking; are you comfortable with showing an illusion rather than yourself?

With those of us who are not so naturally scintillating, it is not genuine. A better option might be tying these illusions into a piece of jewelry or some sort of physical focus.

All of these answer the first two questions, but they go deeper. Think of it like any personality trait or division. When did you become an adult?

The first time you realize in conversation with someone that your experiences are a bit off, or other.

The first time you enacted patterns related to who you actually are. When did you realize you were kin.

Awakening in a long process. Realizing what you are is a long process. There are touchstones along the way, but they are just points on the map of your journey, not the journey or the destination.

Depending on how you define it, it could have been when I was four, or seven, or twelve, or seventeen, it could also be always and forever ongoing.

Good Neighbors. So many names. So many names for the same thing. Or maybe not the same, but close enough. We all know roughly what someone means when they say Faery.

Faeries are a big part of European witchcraft, specifically pre-Gardnerian and traditional witchcraft lineages. There are strong feelings on the Fae.

Are they friends, allies, enemies, neighbors…or even family? Maybe all of them? Some witchcraft traditions view the Fae as dangerous beings necessary for the world but to be avoided or at most placated.

Do not engage the faerie lest they bind you to your word. Leave out offerings, not to thank them or recruit them, but so they leave you alone. Other witchcraft traditions see them as spirit allies, friends who live part in our world part in their own and can help us on the way, but also be wary of them for they are quick to anger.

Then others like my lineage view them as family. Again beliefs differ, some lineages say it happened so long ago that everyone carries the Witchblood, others say only those that possess the Witchblood will be called to the tradition.

Fae being less than physical are more magical beings, and sharing their blood allows us to tap that side of ourselves.

I have known I was Faerie for a few years before getting into magic, and knew for many years before ending up in my current lineage.

We have a wary veneration of the Fae. The first witch ancestors in our mythology were Fae and human offspring.

Who needs faerie blood if you have faerie spirit? It was a couple of years before I told my priest about my belief. It was gut-twisting and nervewracking.

Here I am claiming to be one of the beings that we so honor and venerate. Surely he must think it is a belief to get attention. What would they think?

Maybe we were right though, maybe not about blood but spirit, that only those who possess the Witchblood or are connected to the Fae are called to the tradition.

I had found the right lineage. To my friends who struggle I wish you the best, but know that not all religions have these problems.

I hope that one day you find a place that balances your religion with who you are. Welcome to Otherkin.

Subscribe to otherkin. A lot of otherkin use past life memories to justify their identity, not all of us, but a lot of us.

Even though my own memories do factor into who I am, there are three main problems with using past lives that I want to address and admit I am not immune from.

The first problem is past life memories might not be real. This is the dragon in the room, so to speak. A human past life you could try to verify your memories against historical information.

You could see if the events you remember were recorded , or see if details like names, clothing, or how a craft was done might have been preserved somewhere.

Now, what about a past life as a tiger? Now, what about a past life as a dragon on another world? How can you verify those?

Memory is horribly unreliable, and easily influenced. A lot of us are good at remembering certain details or types of info, but the rest of the data is just your brain filling in the gaps.

Memory is horribly fallible, and one thing that can manifest as is memory misattribution, remembering a detail, but not the source. As a kid imagine you watched a documentary on feudal Japan, over the next weeks, months, and years this documentary fades from your conscious memory, there is a good chance not only do you not remember what the documentary contained, you might even forget you watched it at all.

Now imagine years down the line, as a teen, or an adult, something shakes part of that memory loose, maybe you see an image of samurai armour that was the same as one you saw on the documentary, or close enough, or you hear the name Minamoto or something.

Your brain stored parts of the data and then it later gets spit out. Now imagine, with all that information about the musician, and being obsessed with them, how well they remember that in their next life?

Will they remember being an accountant who is in love with that musician? Or will they remember all the details about the musician they gathered in their obsession, and have their mind process their memories not as memory about the musician, but memories as the musician?

This can of course apply to otherkin too. How many people do you know who love some sort of non-human creature? The friend who has a living room filled with wolf images, the friend who reads every fantasy novel about elves, the friend who collects dragon figurines.

There are people who were folklorists, or perhaps they were religious or spiritual and the existence of non-human beings were a part of their life.

There are so many ways that a real memory can be false, when questioning yourself about your past lives you should always try to figure out if there is another source for your memories.

The last problem with past lives is probably the most important. Simple as that. This is true in several ways.

Each life is a chance to both start new, and continue, but fixating on, or fixating as a past life memory just holds you back.

Putting aside otherkin for a moment, think about past lives on Earth. While being otherkin may be related to our past lives, it is not reliant on them.

You protest, but again, are you a doctor because you once were? Or are you a person who just had a past life as a doctor? Are you a dragon because you once were?

Or are you a person who just had a past life as a dragon? Being otherkin has to be more than just a past life, otherwise what does it matter and where do we draw the line?

I am who and what I am as a matter of soul, but I am human now, and I have been human for a very long time now, but I am not human.

I probably have more past lives as a human now than I did in my original kind, but I am not human.

I am not those past lives, I am what I am, my nature, the nature of otherkin to me is something deeper than memory. Past life memories are interesting, and horrible, fun, terrifying, and exciting, every emotion between and beyond those.

Past life memories can be important, illuminating, and useless. One thing past life memories are not — is who you are. We pass each other in the lunchroom.

Was it his look that was unnerving, or was that how I felt about him? Something always seemed off about him, other. If you accept that otherkin is a spiritual matter it opens up a lot of interesting possibilities.

The intersection of otherkin and magic and psychic phenomena. The simplest of these is probably Kin-dar. We stole and adapted the term from gay-dar, and mean a similar thing, but about spirit type, not sexuality.

If otherkin is a matter of soul, and people have the ability to perceive things behind the veil, then it reasons that those sensitive people out there might be able to tell when someone is otherkin.

Kin-dar is that individual experience of sensing that someone else is kin. When I was awakening it we talked about a lot, we shared stories and techniques and talked about it.

Now we seem to ignore it as a lived reality for many of us. It makes sense that you would be able to sense more strongly someone who is the same or similar kin type as you.

Most people are a harmonious chord, but to me otherkin often have a note offkey. Something is other. When I was first awakening I had good kin-dar, but it was almost always vague.

I remember attending pagan events in my city, and picking out people. The hardest part was trying to find a way to bring it up with people.

After years in the game I wish I had some advice. They might not have awakened, or have never found out that otherkin are a thing.

They might not know what to think about themselves. Belief in fae and dragons as spiritual beings. But I have enough experience to tell you it does work.

Also I think it is somewhat of a skill and something that grows with exposure. Enough I can start to pick up things I might have missed before.

My starting advice is to think about yourself. What makes you kin? What are the areas where your human life clash against your otherness?

Talk to friends about where they have this clash. If possible observe them energetically at the same time. If possible try to arrive early, and observe people as they come in.

Most otherkin groups I know of meet in public places, parks, coffee shops, and the like. If you go before anyone arrives you can observe people and start to try to read them.

When someone walks by, try to sense them, are the other or not? Then observe them, are they just a random person, or are they joining the otherkin group?

I know with the shifts in the community that in person groups are less common. A lot of otherkin are more or less isolated from the community, so it might be hard to get the practice in.

If you can, go out, explore, join groups, and test yourself. The ritual itself is so simple it is barely worth calling a ritual in many ways.

This time, it is exclusively for elven folk or those of an elven nature. Like with EDMC, it's an experimental thing. We felt it might be a good idea to make it elven-only to create a more tailored environment, rather than a place that just has the same people from other chat rooms and doesn't really get any directed or specific discussion.

Anyone who is curious about elves should go to EDMC instead, and elven folk are encouraged to use both channels.

I made my own public chat room IRC channel , out of my dissatisfaction with many of the others out there, especially those oriented towards mythic types.

Details on the chat are on the link below, including a link where you can chat instantly if you don't know how to use IRC:. Account name: Password OpenID?

Forgot it? Remember Me. Otherkin Entries tagged with chat. If you are wondering what Discord is, it's basically the group chat platform all the kids are into these days.

Vaguely like IRC in some respects, but not. You can either download a client, or use it in a browser. A fae friend of mine on Tumblr wait!

Heavier on the introspection and critical thinking, reasonably light on the memes and lolrandomtaco-ness.

Even this world, as long-lived as it may be when viewed from our scope of things, is finite and it will ultimately become a burnt-out cinder, consumed by the sun.

So where do all the souls go when there are no bodies to incarnate within? What will become of those spirits born into humanity when humanity is a distant dream?

Given that the soul is immortal, that time is infinite, and worlds are not, it only follows that each of us has been many different things.

In a sense, perhaps we are all Otherkin, as we have undoubtedly lived as something else before, however remote this might be in our memory. The only thing that distinguishes them from us is the immediacy of the recollection.

The foreign past still clings palpably to them, and they recall a form not quite as prosaic as the mortal flesh we all now wear.

And what a wonder if they walk among us now, remembering an existence many people cannot even conceive. I stood in the central community building of my university, a tall airy structure of glass and concrete, open all the way to its ceiling several stories up.

Classes had let out, and swarms of students poured in from connecting hallways and outer doors, passing through, stopping for conversation, yelling across the floor.

A cacophony of noise and movement and people. Something in my brain shut off, or turned on; but either way the chaos around me drowned out all conscious thought and words.

My skin prickled with the realization of feathers beneath it, the roof of my mouth seemed to hollow and harden into a beak, tongue turned stubby and inflexible, lips motionless.

I found myself hunching, wide-eyed, arm-wings held just apart from my sides, fingers splaying spasmodically. A panic flooded my head.

Despite the wideness and height of the building, I felt claustrophobic. I grasped blindly for conscious thought, words, humanity, but my pulse raced and my beak gaped.

There were people here too, and cars, but nothing for the noise to echo off of, and far more space. I drew in deep breaths of air, my heart rate slowing, my mind stilling.

I focused on fingers, hands, words, the boundaries of my skin. So I suppose the first step to balance, for me, was accepting that yes, I am avian in some way; and yes, it impacts my life.

I found some effective short-term tricks for controlling my shifting. I imagine pulling my feathers in, pushing bird-mind down beneath the surface.

But this is a temporary solution, resorting to hard control and suppression. Fortunately, there are longer-term solutions. I mentioned acceptance.

Then: striving for balance. For me, that means finding safe times and places to immerse myself in bird-thoughts, bird-awareness, feathers and beak.

Finding ways to express my birdness also helps. Scavenging, in my own way; whereas hawk might go for roadkill meat, I scavenge the other leavings of deceased animals: bones, game-bird feathers, and the like.

Perching in high places where I can get a good view of the ground below. Drinking in the wind. When I express my birdness regularly, in places and times of my choosing, I manage to find a better balance between human fingers and avian pinions.

It took a while to get there. There were three years between the birdpanic experience detailed above and the following journal post, in This is what balance feels like, for me:.

I have been comfortably, constantly aware of my birdness these past few months. I have felt more fully bird than I ever have, and it is day to day and ever-present.

My feet are bird feet, long and clenching-opening-curling; my mouth is also a beak, hollow palate, nibbling-tasting-testing everything pens, necklaces, the edge of my shirt collar or sleeves ; I am aware of movement and my own movements and the strangeness of my eyes.

I could understand this feeling… and so I wrote on glamour. First, an emphatic disclaimer: I am not fae-kin.

I have not studied the lore and legends of glamour. Nor have I extensively and methodically experimented with it. I write as one who observes and is good at observing; I write as a dabbler and casual experimenter.

My observations and experiences are UPG — unverified personal gnosis — sometimes but not always corroborated by the experiences and perceptions of others.

Your mileage may vary. With that in mind, I ask any fae-kin, more experienced occultists, and people more familiar with the lore to give your two cents, point out inaccuracies and flawed reasoning, and add your own experiences.

Let me first attempt to define glamour. It is a sort of charm. This is more of a reference to how they feel to me, a description of manifestation, rather than a moral judgment.

Bright glamour is flashing charm, a flame of charisma drawing people near like moths. The bright fae is shiny, glowing, the center of attention, impossible to ignore.

Sie is a prism and a fire, entrancing, hypnotic, dancing. This is the fae-magic so typically described in old songs, the stuff that leads mortals into faerie holds, never to return.

Of course, here in the hard physical world, it tends more to lead people into infatuation and obsession, leaving broken hearts when the fae-kin forgets the temporary romantic catch for a new shiny plaything.

It is more a magnetism than a bright charisma. It draws people in as well, but with the allure of the forbidden or mysterious rather than shining charm.

It draws the sort of people addicted to fixing, or pain, or those who secretly desire to play on the edge of things and sense that edge in the wielder of shadow-glamour.

The bright glamour draws people in by displaying an excess of color and light that others yearn to share, to become a perhaps a little more bright themselves by contact with such fire.

Yet they both manipulate, use, and take. Fae are, I think, integrally vampiric in nature. Whether one should succumb to such envy is debatable… but this is not quite a piece on morality.

How to learn it or at the very least mimic it? First: confidence. Or at least the seeming of confidence. I doubt that glamour can be even mimicked without this basis of self-assurance.

Getting yourself to show that confidence however fake it might be can take some work. Second: physicality. The way one moves, walks, and holds oneself can completely change how people react to hir.

I used to cultivate this sort of physicality in an attempt to not be seen during middle school and high school; I was a shy sort of kid. Find some person, actor, or character whose magnetism and charisma you admire and study their body language, how they move and walk.

They are often truly naive and childlike, and that is what draws the eye. Go to a park some time and see just how many people are fascinated by watching a young child play with a completely mundane object or activity.

That newness, because zie has never seen a butterfly before, or a soap bubble. It fascinates because it contrasts.

That is one of the aspects that makes infants so terribly alluring, is watching them discover everything for the first time, and sometimes recalling what that was like for you all those years ago.

To be completely caught up in what you are doing, not worrying about your job or taxes or relationship problems, but just completely taken by the sheer pleasure of the music and dancing…that air of joy is the flame to which moths are drawn.

To us, the carnal pleasures are the greatest indulgence, so we are creatures of sensuality. The experience of eating a really good meal, or listening to a heart-rending aria from an opera can be like sex, so we allow ourselves to be taken by the experience of the senses.

And that joy, that willful abandonment, is what creates that sparkle. This starts to edge into the less mundane ways of imitating, approximating, or perhaps even using glamour.

Taking on the traits of someone or something else starts to blur into the metaphysical, depending on your views and how you approach that sort of shift.

If you are therian, an animal person, you already have a leg up on learning to use or rather mimic glamour. I have noticed that animal people have the allure of things untamed.

People have a strange desire to touch, own, and tame the wild and the exotic. We visit zoos and long to touch the tiger, to pet the bear, to jess the falcon.

This same desire manifests with therians. I see my therian friends attract possessive clingy suitors and this happens to me as well and be miserable when in relationships with such people.

But that is tangential. Secondly, Empathic projection can imitate glamour, in a way. I can only explain how I personally project, though; others might be able to better explain this.

I find a way to make myself feel the emotion I wish to project, either by simply willing it or finding a stimulus that provokes that emotion in myself the second works better, for me.

I push energy and intent into it, let it build, and then push it outward — either just as a sort of aura about me, or at a particular individual. Third, similar to the second: Weaving an aura or an illusion about you.

I sit, center myself, ground, and then build energy in my center, instilling it with the impressions I want the interviewer to get of me.

Then I build that into a shield, almost like a projection but woven about my body like a second skin. This is perhaps as close to true glamour as I get, the illusion sort of glamour.

The only other way to imitate glamour that I can think of is through an energetic sort of magnetism. Making oneself a magnet that draws others to oneself.

Illusion mixed with reality, something that simultaneously confuses and intrigues. That creates mystery, which intrigues and draws others to look closer.

Glamoury is not a lie. It is a coloring of truth, a turning of the facets of reality so that they scintillate. Or, go hidden.

Glamoury is a trick; it requires a gimmick, a focus in order to work. One must act in such a way that will fascinate if one would fascinate.

One must act in such a way as to be subtle, if one would be subtle. To attract, draw attention. To be ignored, deflect or distract attention.

Please note that the ethics of all this are very debatable and should be thought on before one acts on such things.

Also, this is a lot of projection, illusion, and masking; are you comfortable with showing an illusion rather than yourself?

With those of us who are not so naturally scintillating, it is not genuine. A better option might be tying these illusions into a piece of jewelry or some sort of physical focus.

All of these answer the first two questions, but they go deeper. Think of it like any personality trait or division. When did you become an adult?

The first time you realize in conversation with someone that your experiences are a bit off, or other. The first time you enacted patterns related to who you actually are.

When did you realize you were kin. Awakening in a long process. Realizing what you are is a long process. There are touchstones along the way, but they are just points on the map of your journey, not the journey or the destination.

Depending on how you define it, it could have been when I was four, or seven, or twelve, or seventeen, it could also be always and forever ongoing.

Good Neighbors. So many names. So many names for the same thing. Or maybe not the same, but close enough. We all know roughly what someone means when they say Faery.

Faeries are a big part of European witchcraft, specifically pre-Gardnerian and traditional witchcraft lineages.

There are strong feelings on the Fae. Are they friends, allies, enemies, neighbors…or even family? Maybe all of them? Some witchcraft traditions view the Fae as dangerous beings necessary for the world but to be avoided or at most placated.

Do not engage the faerie lest they bind you to your word. Leave out offerings, not to thank them or recruit them, but so they leave you alone.

Other witchcraft traditions see them as spirit allies, friends who live part in our world part in their own and can help us on the way, but also be wary of them for they are quick to anger.

Then others like my lineage view them as family. Again beliefs differ, some lineages say it happened so long ago that everyone carries the Witchblood, others say only those that possess the Witchblood will be called to the tradition.

Fae being less than physical are more magical beings, and sharing their blood allows us to tap that side of ourselves. I have known I was Faerie for a few years before getting into magic, and knew for many years before ending up in my current lineage.

We have a wary veneration of the Fae. The first witch ancestors in our mythology were Fae and human offspring. Who needs faerie blood if you have faerie spirit?

It was a couple of years before I told my priest about my belief. It was gut-twisting and nervewracking. Here I am claiming to be one of the beings that we so honor and venerate.

Surely he must think it is a belief to get attention. What would they think? Maybe we were right though, maybe not about blood but spirit, that only those who possess the Witchblood or are connected to the Fae are called to the tradition.

I had found the right lineage. To my friends who struggle I wish you the best, but know that not all religions have these problems.

I hope that one day you find a place that balances your religion with who you are. Welcome to Otherkin.

Subscribe to otherkin. A lot of otherkin use past life memories to justify their identity, not all of us, but a lot of us.

Even though my own memories do factor into who I am, there are three main problems with using past lives that I want to address and admit I am not immune from.

The first problem is past life memories might not be real. This is the dragon in the room, so to speak. A human past life you could try to verify your memories against historical information.

You could see if the events you remember were recorded , or see if details like names, clothing, or how a craft was done might have been preserved somewhere.

Now, what about a past life as a tiger? Now, what about a past life as a dragon on another world? How can you verify those? Memory is horribly unreliable, and easily influenced.

A lot of us are good at remembering certain details or types of info, but the rest of the data is just your brain filling in the gaps. Memory is horribly fallible, and one thing that can manifest as is memory misattribution, remembering a detail, but not the source.

As a kid imagine you watched a documentary on feudal Japan, over the next weeks, months, and years this documentary fades from your conscious memory, there is a good chance not only do you not remember what the documentary contained, you might even forget you watched it at all.

Now imagine years down the line, as a teen, or an adult, something shakes part of that memory loose, maybe you see an image of samurai armour that was the same as one you saw on the documentary, or close enough, or you hear the name Minamoto or something.

Your brain stored parts of the data and then it later gets spit out. Now imagine, with all that information about the musician, and being obsessed with them, how well they remember that in their next life?

Will they remember being an accountant who is in love with that musician? Or will they remember all the details about the musician they gathered in their obsession, and have their mind process their memories not as memory about the musician, but memories as the musician?

This can of course apply to otherkin too. How many people do you know who love some sort of non-human creature?

The friend who has a living room filled with wolf images, the friend who reads every fantasy novel about elves, the friend who collects dragon figurines.

There are people who were folklorists, or perhaps they were religious or spiritual and the existence of non-human beings were a part of their life.

There are so many ways that a real memory can be false, when questioning yourself about your past lives you should always try to figure out if there is another source for your memories.

The last problem with past lives is probably the most important. Simple as that. This is true in several ways. Each life is a chance to both start new, and continue, but fixating on, or fixating as a past life memory just holds you back.

Putting aside otherkin for a moment, think about past lives on Earth. While being otherkin may be related to our past lives, it is not reliant on them.

You protest, but again, are you a doctor because you once were? Or are you a person who just had a past life as a doctor? Are you a dragon because you once were?

Or are you a person who just had a past life as a dragon? Being otherkin has to be more than just a past life, otherwise what does it matter and where do we draw the line?

I am who and what I am as a matter of soul, but I am human now, and I have been human for a very long time now, but I am not human. I probably have more past lives as a human now than I did in my original kind, but I am not human.

I am not those past lives, I am what I am, my nature, the nature of otherkin to me is something deeper than memory. Past life memories are interesting, and horrible, fun, terrifying, and exciting, every emotion between and beyond those.

Past life memories can be important, illuminating, and useless. One thing past life memories are not — is who you are.

We pass each other in the lunchroom. Was it his look that was unnerving, or was that how I felt about him?

Something always seemed off about him, other. If you accept that otherkin is a spiritual matter it opens up a lot of interesting possibilities.

The intersection of otherkin and magic and psychic phenomena. The simplest of these is probably Kin-dar.

We stole and adapted the term from gay-dar, and mean a similar thing, but about spirit type, not sexuality. If otherkin is a matter of soul, and people have the ability to perceive things behind the veil, then it reasons that those sensitive people out there might be able to tell when someone is otherkin.

Kin-dar is that individual experience of sensing that someone else is kin. When I was awakening it we talked about a lot, we shared stories and techniques and talked about it.

Now we seem to ignore it as a lived reality for many of us. It makes sense that you would be able to sense more strongly someone who is the same or similar kin type as you.

Most people are a harmonious chord, but to me otherkin often have a note offkey. Something is other. When I was first awakening I had good kin-dar, but it was almost always vague.

I remember attending pagan events in my city, and picking out people. The hardest part was trying to find a way to bring it up with people.

After years in the game I wish I had some advice. They might not have awakened, or have never found out that otherkin are a thing.

They might not know what to think about themselves. Belief in fae and dragons as spiritual beings. But I have enough experience to tell you it does work.

Also I think it is somewhat of a skill and something that grows with exposure. Enough I can start to pick up things I might have missed before.

My starting advice is to think about yourself. What makes you kin? What are the areas where your human life clash against your otherness?

Talk to friends about where they have this clash. If possible observe them energetically at the same time. If possible try to arrive early, and observe people as they come in.

Most otherkin groups I know of meet in public places, parks, coffee shops, and the like. If you go before anyone arrives you can observe people and start to try to read them.

When someone walks by, try to sense them, are the other or not? Then observe them, are they just a random person, or are they joining the otherkin group?

I know with the shifts in the community that in person groups are less common. A lot of otherkin are more or less isolated from the community, so it might be hard to get the practice in.

If you can, go out, explore, join groups, and test yourself. The ritual itself is so simple it is barely worth calling a ritual in many ways.

Requirements: Candles Process: Set up the seat and the mirror in such a way that you can sit relaxed while looking directly at the mirror and you can see your own reflection.

Introduction: When I was asked to do the closing ritual at Kinvention North , I put a great deal of thought into the undertaking.

As we work with the Star of the Otherkin, I shall serve as intermediary. The Time of Changes: Now my friends: The world is changing and we stand at the crux of it.

Guardians of the Races; Watchtowers, Avatars all! We call on your power and wisdom to guide us in this time of change. We seek your guidance: what can you give us that will help us succeed?

Dismissal: Avatars! Guardians of the Star! We thank you for your guidance, And for joining us in this space. Depart now freely and in peace.

Fenecai and Neride: Peace, and depart. Sephiriel and Gwidorian: Peace, and depart. All you who are Illana: Peace, and depart. This ritual now is ended.

Peace, and depart. Element: Fire. Direction: West. Color s : Red, orange, black. Symbol: Rod of Kingship or pole-arm.

Metal: Brass Planet: Mars Races: the fierce dragons of the heights, phoenixes, stonewings, and sons of the forge. Essence: destruction and renewal; cataclysmic change.

Gender: feminine androgyne. Element: Light. Direction: Above. Color s : White, yellow, silver. Symbol: Musical instrument Metal: Platinum or gold.

Planet: Sun Races: elves and all fey. Essence: positive magick, beauty, creativity and song. Element: Darkness.

Direction: Below. Color s : Gray, black, indigo. Symbol: Small curved blade. Metal: silver. Planet: Moon Races: felines, and all who are children of darkness and shadow Essence: dark magick, night, shadows, mystery — that which is hidden or obscured from view.

Element: Earth. Direction: South. Color s : Brown, green, earthtones. Metal: Iron. Planet: Earth. Essence: vitality, sex, nature, all primal things.

Gender: masculine androgyne. Element: wind air. Direction: North. Color s : Light blue, gray, silver. Symbol: writing quill or sword.

Metal: Quicksilver. Planet: Jupiter he says Mercury is not a planet Races: Celestials, angels, Nephilim, children of air and winged ones.

Essence: thought, Will, judgment, the Word. Element: water. Direction: East. Anyone who is curious about elves should go to EDMC instead, and elven folk are encouraged to use both channels.

I made my own public chat room IRC channel , out of my dissatisfaction with many of the others out there, especially those oriented towards mythic types.

Details on the chat are on the link below, including a link where you can chat instantly if you don't know how to use IRC:.

Account name: Password OpenID? Forgot it? Remember Me. Otherkin Entries tagged with chat. If you are wondering what Discord is, it's basically the group chat platform all the kids are into these days.

Vaguely like IRC in some respects, but not. You can either download a client, or use it in a browser. A fae friend of mine on Tumblr wait!

Heavier on the introspection and critical thinking, reasonably light on the memes and lolrandomtaco-ness.

Alas, I do not own it. Tags: chat , chatroom , links , online chat , web chat. Tags: chat , darkfang , darkfang archive , irc channel , resource , resource site , site , web chat.

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Otherkin Chat Room

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